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American Sentences
Organic Poetry
Friday Harbor Library Workshop, Saturday, April 4, 2009

Personal Mythology of Organic Poetry Workshop

Tuesday, May 12, 2009: Week Six (Integration)

 

 

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Week One (with links!)
Week Two
Week 3
Week 4
Week 5
Week 6

§                   Discussion of previous week. How’re the poems coming? Anyone want to read one or two? Do you have info archetypes from last week? http://www.earthvision.info/archetypes Index Cards?

 

§                   Each week we’ve looked at different senses, different ways of composing the organic poem, different aspects of our own personalities. Hopefully by now you’ve had the opportunity to experience the poem as a flow, a natural yet vigorous experience. Maybe you’ve had things happen to you, or some intense dreams. Certainly the content of your work has shifted by taking this workshop. The stuff stir’d up by this activity can be quite primal, but I hope you’ve found the process at least interesting and hopefully, invigorating. When one begins to see one’s life through a mythic perspective it does not necessarily get easier, but it is more rewarding and only numbing and denial can stop the process.

 

I am available to meet with you, if you’d like, answer an email, or talk by phone. I have an email list, the E-Fishwrapper, which goes out when events compel and time permits me to send one out. If you’re interested in this work and work in this vein, please email me and I’ll put you on the list.

 

§                   McClure on Projective Verse: (text, sound.)

 

§                   McClure reading Dolphin Skull. (Me & class continuing.)

 

§                   McClure Personal Universe Deck (handout)

 

§                   Adding to your sense words, write 10 words that correspond to movement. Also, ten words that reflect heroes, SHE-roes, power animals, Gods, archetypes, etc. Things that represent your past, present and future; your good side as well as your shadow side. These are concrete words that you think taste good and it might be weird. Also choose one abstract word to finish the deal. Write the words on the cards. You can make them more fancy later by adding some art to them.

 

§                   Exercise: Write. You can continue the sonnet series, write the Father or Mother poem, use any of the exercises we covered in class, or begin a serial poem about your mythic self, perhaps using Dolphin Skull as a model. Perhaps taking off from the last image in your Mom or Dad poem. Or, start with a salient image from your own name, or from an archetype. When you get stuck you can use one of several prompting devices that we covered. To review:

 

  1. Alluvials. Read a previous stanza, or two or three above where you are in the poem, or go all the way back to the beginning until you get a hit.

 

  1. Quotes from other poets. You can scan through the books up here, through your notes, or old poems. This was one of Robin Blaser’s techniques and he died on Thursday and may he rest in peace.

 

  1. Add some sensory input from the world around you. Nothing happens by accident. Remember the cops were arresting someone when we went outside to write that one week? In the moment you’ll know whether it fits in the poem or not.

 

  1. Get an image from an archetype, or

 

  1. Go to your cards! Here’s where the cards can be used as a sort of poetry divination. Remember McClure’s repetition of Owls, Turquoise, Deer, Musk, Linen. Not just the word, but the association it brings up. The feel of turquoise when the old Indian woman in Santa Fe put it in your hand at the powwow. The smell of fresh basil at the Vietnamese Restaurant the last time you saw that friend before they died. Don’t be afraid of the Duende. Try word combinations. (This can also be created through wordle.net by inserting a bunch of text and creating a word cloud. We’ll take a certain amount of time to address this and leave some time at the end for discussions and some paperwork.)

 

§                   Class Evaluations

 

§                   Reminders: Write daily; Find a multi-decade project that will define you as a writer; look for the mythic dimensions of intense events in your life; don’t settle for being a positioner, be a real artist.

 

 

Upcoming Workshop:

 

Investigative Poetry (4 Hour class)

 

“News is the first draft of history.” Pity if it turns out to be Fox News, eh? Well, don’t let those fuckers get the last word, do it yourself with a template from Ed Sanders, Joanne Kyger, Lorine Niedecker or Allen Ginsberg. We’ll look at some post-modern examples of history in verse form, do some writing exercises to warm us up, then spend a good hunk of the time working on a poem that includes history. Bring a book you’ve read (biographies are good,) a news story, or a whole file of stories on a subject along with an open mind. (Handout)